Dr. George Von Brincken published on the platform Culture enforcement an essay, which I like to take the occasion to write a reply. It could also Supplement called, because all I can recognize very critical or even abusive end in his pamphlet. I can raise no refutation, where attacking me nothing.
The comparison of two authors who are in contrasting circumstances and have different experiences and make observations and can act fruitful and open up new ways of thinking. Here, then, Dr. George Von Brincken, Academic Council and with instructions to officials, with expressions of Hegemionalkultur deals and links therein. There the village Kramer, neither employed nor civil servants, again and again the hegemonic culture of political and economic system and those who support exposed to fighting and means that an individual will be allocated by the hegemonic culture.
subculture. Initial thoughts on what I see is creating, Overview:
subculture of the burgeoning life styles, the unconscious conscious or identity with visibility to create and be bought at the success of the hegemonic culture as the emancipation and gay movement: I do not mean.
Living, real subculture of little or no socially integrated individual and collective culture of punks, homeless, illegal immigrants. But the economically less vulnerable: the subculture of the wealthy, the dandies, ascetics, creator and Artist without sales pressure - those who communicate with the rest of society with money and the tax return: even I do not mean.
subculture as a means to achieve personal interests, licenses, positions. But also to respond to threats, interventions, extinction trials. Subculture of enforcement. Subculture of self-assertion: the I mean.
And so we're on the subject, I can explain with two examples. Puerto Giesing and village Kramer. Subculture of the subculture of self-assertion and enforcement.
occasion, by the term sub-culture in conjunction with a local culture (Munich) to question or to discuss the initiative Puerto Giesing, who has used between 2010, the vacant Hertie department store in the Tegernsee road. Since I as a participant observer always try to approach reality as close as possible, I write down my experiences. These are the basis of my derivation of the term subculture.
When I heard of Puerto Giesing, I thought of enriching my understanding of art. This was ultimately a collective pool of free art propagated that anywhere would find a place. The first impression was nice. I stood in front of closed doors, there was already evening. But a nice nerd goatee approach was then outside the store window of a lighting control lighting, what I call sympathetic action felt.
My first visit was then the event Nerd Nite , a short presentation evening with arcane but also relevant issues. Also nice. And dying subculture was found afterwards in the castle pilgrimage home that featured a typical Munich band of the 70s folk music with jazz elements. There was Caldaro from Südvitriol and a piggy bank to fill for the musicians. Then I went
the large and dramatic announcement "Showcase" and it turned out that that was a repository of art and history, basic and advanced courses of the K12. A couple of pieces of the fellow apparently Blumenbar and a pastry shop. For the first time felt I really was fooled, and thought, I do not come back.
I am working for several months with the Facebook platform, I had announced myself as a friend of Puerto Giesing and still got such messages. Constantly been thrown by the term subculture around. The normal for parties with electronic music DJs Flaschbier for 3 neuron. This self-aggrandizement startled me and I expressed my displeasure in Facebook over this deception. If it were neither sub-nor an exceedingly remarkable culture, but rather a normal Stammtischfestein that you anträfe in town and country. Such heavy drinking indeed be a fun and beneficial not to be despised, but Puerto Giesing should not hesitate to leave the church in the village and tart not always read this drivel from the Subultur free culture and the leading platform in Munich on. It was disgusting.
ensued on Facebook so the usual verbal carnage. A Zehra Spindler cited immediately from my village Kramer Blog and held me all sorts of personal things. I had too much time and what should finally work. The whole debate tactic, which one is from the middle class, not the usual subculture. That was not trained in a style of writing. That led me to further investigation. Because the project
Puerto Giesing on public need is to get the full stall, it was easy, facts on the internet to find Zehra Spindler, apparently leading the pack. I learned that it is to sit on in Munich, has shown naked on the Leopold Street and has planned events, organized a bar and a beer at the Isartor. They also have tattooed forearms.
These wild-looking, "subculture" attributes, however, had a catch: Zehra Spindler built their communications on icons of the conservative hegemonic culture of Munich. Your duration platform named it after the 850th Founding of the state capital Munich garnished this with any king Ludwig II and a couple of Bavarian Slogans, even though, as Munich from her generation, no Bavarian speaks and can and settled by the district committee to give money for only subsequently approved restaurants, say, was and is typical Munich American citizens, with the tendency to institutionalize approaching the political class. The highlight of this expression is the black turtleneck .
And so it was not surprising that the information I was given the Member of Parliament for the Greens, Claudia tribe would make an event about "gentrification " and "Promoting the Arts . Puerto Giesing had as an important mission as a subcultural forum, etcetera blah.
was also announced Martin Bucher that would demolish the building with the usual local banks and "out" of the new use. I was very interested in how the temporary use of Puerto Giesing had gone from Amsterdam. I had in fact applied for a few years ago a similar temporary use for my home village Kramer in Inzell, and this could not explain the Traunstein district office. Shall request, I had an empty shop for a restaurant full approval. To avoid the associated Bürokratenwust imissionschutzrechtlichen to report for two giants could be the Install the legislature but something like a "flexible interim use" in a building code and that would be common for the woman a good idea. So I went
before the event directly to Mr. Bucher, who seemed open to me and said he had all surrendered to Zehra Spindler and had to do with the use and any permit anything. When I still wanted to tell him of my building code issue, suddenly came Zehra induced shot Spindler.
Bucher: "The Lord is ..."
village Kramer: "Engelberg,"
Spindler: "Aha and the words ... and you are stalking our people here you have to work and nothing else."
village Kramer: "I'm always right back in the filthy toilet . And the piss "
Spindler:" You know what, do the same. We know you even now. "
village Kramer:"... I like to go, goodbye Mr. Bucher "
companion Spindler brings folder Spindler goes to Claudia tribe village Kramer goes off
You have to understand that Puerto Giesing actually. the regional inspection would have closed will have, as basic hygiene rules were not respected. Every normal host OUSING political ties his shop after three days would have to shut down.
said Mr. Booker, that is all subculture, but could not say on demand, which he so mean, if he was referring to the filthy toilets and hospitality services the organizer.
Zehra Spindler blocked for a few days the comments on Facebook and I no longer cared about it until I received the message, you would go with its program of events now in the Munich City Museum . It had become apparent now, which way Zehra Spindler pursues and the methods they used. Their activities are a case example of how sub-culture is used as a concept and as a subculture of expression.
Zehra Spindler is the example of sub-culture of enforcement. Your way is aimed at establishing the hegemonic culture, say, the organized, funded and culture in the city of Munich. Their cultural capital (Bourdieu) is low. Without the required education levels to achieve an institutionalized place in the fabric of culture management is the establishment to achieve just as through creation of respected as valuable artifacts that can bring about an establishment. Adjust the slats of the cultural and art economy and the civil servant status of the selection decision are hung too high and built on many years of disciplined work on and with the art. A good example was in Munich a few years ago the Dan Flavin exhibition. Seemingly simple tubes were after decades of Ochserei the Creator understood as art and the eternal and only with a communication the artist that had to be linguistically as high quality as the thought was behind the tubes. What remains
Zehra Spindler and remained was her organizational skills, their assertiveness and their knowledge of subcultural expressions to achieve the goals. These include the presentation of a woman naked in public, the mangled body with tattoos and a supposedly subcultural na (t) iven mixed language of special terms and basic German words. Zehra Spindler can not create a work of art because they lack the skills of the hegemonic cultural understanding has: ballet, theater, Schrifstellerei, design - it can only present themselves and creep into the memory and ideas of the hegemonic culture. The focus therefore are electrical parties, beer, bar, forming the municipality. Hip is the whole, in which a few "artists" are here and maybe a couple of drunks with sex on the toilet. Everything must be done to be known and then removed from the selection. The
it has now become possible. But why her and not a serious and reasonably artistic hard-working, creative artists? Or as original orstansässigen Petra Pearl ?
Very simple: Zehra Spindler satisfies the desire of the Munich hegemonic centers for the lost connection to the (sub) culture. The descent into the master league table is perceived as such. And how will a culturally child? It stomps on the floor and makes a master table: the table of the master Zehra Spindler combined with the cultural oligarchy.
Zehra Spindler is that the protagonist subculture of enforcement. It uses the typical Munich sized constellation, and hits in front of themselves inaccessible spheres. Such careers, there are local in the city.
And so a few comments about the subculture of self-assertion. Unlike Zehra Spindler has the village Kramer about the possibility of a modest economic self-sufficiency. These he now has to protect, not to an established position of having to reach. Attacks on him, he may, however, face a lack of art talent and training, with sub-cultural resources - that is not funded by the hegemonic civilization. Small actions in public space, blog, Letters, differentiation, self-protection. Daily struggle to preserve the habitat and the personal design of everyday life. Fight against the robber barons of the global financial and political world. Action against the City of Munich, a vendor's tray license. Even the village Kramer succeeds. He is left alone. The subculture of self-assertion, leaving only traces of memory .
I firmly believe that as a result: In
subculture is all about the concepts of power-identity-communication-interest. The cross currents of power: enforcement and self-assertion are the ones that bring the first subculture to appearance.
says this in mind, the village Kramer thieving, that it has been shown that Spindler coat Zehra monkeys of the Munich cultural oligarchy and the stupid media and they continue to publicly showing off.
village Kramer, Dr. phil. Dipl. pol sc Dipl.-VWW. Banking professional familiar with and interact with communications, legal, coal and power. He knows what is psychoanalysis, a decent noise and yawning boredom. Above all, he can be of great global coal miners and their Vassals deliberately lick ass and is very happy when local and global con men and redistribution will spit in the soup.
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